Foliage study began with drawing — simplified leaf forms worked out by hand, fine veining, small marks left where the pen paused. The result is a dense, non-directional repeat that reads as texture from across a room and resolves into individual leaves up close.

Seven colourways run from restrained warm neutrals through to richer rust, ochre and coral on a soft cream ground, so the same drawing can enter a space as a quiet field or a single statement piece.

Designed for cushions, throws, table linen and soft furnishings, with a mid-century structure holding the looseness of the mark-making in place.